From the Publisher



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Editorial Reviews
Review
Praise for Small Worlds:
Winner of the Dylan Thomas Prize
Shortlisted for the Orwell Prize for Political Fiction
Longlisted for the Jhalak Prize
A Publishers Weekly Best Book of 2023
A Best Book of Summer from the New York Times, Elle, Boston Globe, Minneapolis Star Tribune, Time, New Statesman (UK), Times(UK), Marie Claire (UK), and Literary Hub
A Most Anticipated Book of the Year for i-D Magazine, Esquire (UK), Guardian, Huffington Post (UK), BellaNaija, Literary Hub, and The Millions
“Masterful.”—Minneapolis Star Tribune
“Small Worlds also shows how language, particularly narrative, can repair relationships or mend bridges between people… The point of language in moments like these… [is] simply to make a thoughtful offering in the hope that it meets with understanding, and maybe to build community. This, I believe, is the most important work that Nelson is doing with his words, and I look forward to seeing what he does with them next.”—Brooklyn Rail
“An ode to the West African immigrant community in London, a coming-of-age tale of young love and yearning, and a quietly powerful meditation on intergenerational conflict and trauma… Small Worlds is an achingly tender, exquisitely rendered portrait of a truly beautiful soul.”—Literary Hub
“There’s something wide-eyed and lovely about the way Caleb Aumah Nelson writes about what it is to be young and alive to the world…This novel is about the dynamic between a father and son over three summers in London and Ghana, but it is also about music, and dancing, and those pleasures in life that are simple and yet also everything.”—Esquire,Most Anticipated Books of 2023
“Finely drawn and lyrical.”—GQ
“Observed with candour and flowing clarity.”—Financial Times
“Deeply intimate and poetic.”—Marie Claire(UK)
“Emotionally astute… not only touching but well formed.”—New Statesman (UK)
“Small Worlds resonates and reverberates with the true language of our souls. Drop the needle on it.”—Irish Times
“Both intimate and international, anchored by a timeless story of friendship and growing up.”—The Millions
“Written in exquisite prose infused with lyricism, the book examines the unexpected repercussions of life decisions and explores such themes as faith, friendship, and authenticity.”—Christian Science Monitor
“A beautifully rich novel celebrating love and art and conducting an in-depth exploration of the joys and pains of Black youth.”—Booklist
“Astonishing…Nelson’s assured writing captures the pulse of a dance party, the heat of a family’s bond, and the depth of spiritual fervor to conjure a story as infectious as a new favorite song.”—Publishers Weekly, starred review
“The musicality of Nelson’s language underscores this vibrant and deeply moving tale of love, family, and coming of age. While stories of conflict between first-and second-generation immigrants are common, the cultural richness and specificity of Nelson’s narrative rises above tropes and stereotypes.”—Library Journal, starred review
“Azumah Nelson’s characters are intelligent, and his poetic, elastic, bright prose has an uplifting energy, even when he’s writing about the pain of loneliness…Azumah Nelson is something new: an unashamedly clever, spiritual, angry, loving voice in fiction, just when we need it most. Small Worlds is a book for everyone…. No one could fail to feel the message, of always striving for emotional honesty and hope, that is at the heart of this uplifting symphony of a summer read.”—Times (UK)
“An affecting meditation on the migrant experience.”—Guardian (UK)
“Nelson is a rhythmic writer, using repeated motifs–variations on phrases about what we remember and what we forget, about dancing to solve problems, about the way the sun catches the back of a loved one’s neck–to make this touching novel perfectly formed too.”—New Statesman (UK)
“Rare life ripples through this hymn to a city’s rhythms.”—Daily Mail (UK)
“What makes Azumah Nelson so seductive is the way he nails how it feels to be young, in love, in London in the summer, with possibility stretching out ahead. His territory is the after-hours funk clubs of Deptford and Peckham frequented by black people in search of music and kinship; the Caribbean cafés that stay open into the small hours; the journeys back home on the night bus. Thanks to his supple, lambent prose, it’s a landscape that dazzles.”—Telegraph (UK)
“Small Worlds is a miracle of observation, of attention and attunement. Caleb Azumah Nelson writes prose that is unmatched in its musicality and sensitivity. A gorgeous, rhapsodic, wise novel.”—Katie Kitamura, author of Intimacies
“The rhythms of Small Worlds are a feature of Nelson’s quiet, particular ear and of a profound engagement with music. Nelson writes about closeness, with family, with lovers, with art, as careful, essential labour.”—Raven Leilani, New York Times bestselling author of Luster
“A novel that feels as intimate as it does expansive; Caleb Azumah Nelson has given to us a love story that goes beyond two people. Instead, there are no bounds to his exploration of exactly what the heart can feel. Beautiful, unforgettable and all-consuming.”—Candice Carty-Williams, Sunday Times bestselling author of Queenie
“In his beautiful new novel Nelson summons the sounds of Black Youth, love and discovery to the page. A celebration of the heart.”—Nana Kwame Adjei-Brenyah, author of Friday Black
“Touching, heartfelt, and musically rich.”—Diana Evans, author of Ordinary People
About the Author
Caleb Azumah Nelson is a British-Ghanaian writer and photographer, living in South East London. His short story, “Pray”, was shortlisted for the BBC National Short Story Award. His debut Open Water won the Costa First Novel Award, the British Book Award for Debut Fiction, was a National Book Foundation “5 Under 35” and was named a best book of the year by TIME, Minneapolis Star-Tribune, Library Journal, Literary Hub, and The Millions, among other places.
Catherine Smart –
This book moved me deep in my soul. It’s about hope and love and loss and pain and family and community and identity and home. It is so beautifully written and so full of love, I don’t think I’ve ever read anything like it. You have to read this book. It’s gonna stay with you for a long time, and that’s a really good thing. What a beautiful song this is.
hanna –
“Small Worlds” is the second novel by a young British-Ghananian writer and photographer, Caleb Azumah Nelson. It’s a contemporary coming-of-age story of Stephen, whose family emigrated from Ghana to find a better life in England.The novel is written in a poetic, documentary style as we follow Stephen’s path to adulthood. He is a gentle soul, loves jazz, especially Coltrane, and plays trumpet, dreaming about becoming a musician. However, his father wants him to have a “real” occupation, saying that survival is more important than self-discovery and that he didn’t emigrate from Ghana to have his son play in a club or cook (another of Stephen’s ideas is becoming a chef.)Stephen creates ‘small worlds’ to feel validated and finally free. His “small world” may be a dance floor where he surrenders to the rhythm or a space between people, which he tries to fill with meaningful words when he’s with his girlfriend. He and his friends are also acutely aware of the racial tension in London, police brutality, and challenges for Black people when they try to, as he says, “occupy those bodies of theirs.” Often, it’s simply dangerous to be a young Black man in London.It’s a slow-moving novel that sometimes feels more like a poem with repeating phrases. Music is essential in this book, so keeping with the theme, the repetitions sound like a chorus line. Many musings about remembering and forgetting come from Stephen’s building bridges between his roots in Ghana and his new place, England. Sometimes, the style became even too poetic for my taste, losing its impact. However, I found Caleb Azumah Nelson’s latest novel to be a fascinating expression of the author’s fresh voice, filled with tenderness and humility.This is a review of the audiobook.
littlegiant –
Thank you! ??
Kay –
I’m gonna start out strong and say that reading Open Water convinced me that Caleb Azumah Nelson is one of the greatest writers alive. Small Worlds cemented that.The book, set across three summers, follows Stephen as he finds himself faced with big life changes. This is a story about growing pains, family, love, friendship, dance and music.When I say music, I don’t mean just the literal playlist, or the way Nelson can translate into text the music his characters are listening to or creating, but the actual lyricism of his prose. It’s breathtaking and melodic, repeats the theme in just the right places and made me choke up multiple times throughout the book. I’ve read some prose that thinks itself musical, but nothing like this. If writing is a craft this is a master at work.Stephen’s world was such a joy to be immersed into. The drifting apart and finding the way back, the journey from London to Ghana and back again, the parallels, oh my God, the parallels. I had to put my kindle down multiple times because I was too emotional. I don’t remember the last time that happened. The father storyline broke me into a million pieces and built me back up. This was, hands down, my favorite read of the year. It had me making a pinterest board for the first time in my life.I truly have no complaints. The characters, the pacing, the story, the music, the writing, the ending.Thank you to NetGalley and Grove Atlantic for this advance copy.
Sara Machado Silva –
The best thing about this book is its lush prose and musicality. What a privilege it was to read it and follow Stephen growth and emotional journey, to feel you have been given access to his mind.“I’ve only know myself in song, in the space between the sounds we make to capture our quiet”Reading this felt like a gift because I’ve felt so many of Stephen feelings before, and I’ve been where he has been and would never be able to put it into words. Stephen might only know himself in song, but Caleb certainly knows in words.“I didn’t feel like myself there. I didn’t like this me, who was insecure, and rarely at ease; who felt like he was living in a city with no community to lean on, no one to just spend some time with; who not knowing how to dismantle his loneliness, cocooned, retreated.””I want him to be more open, to allow me the space to say, I feel broken, and I’m slowly taking myself apart, so I might build myself up once moreThis was a very emotional book about family, community, love, friendship, grief, and life. It also touches racism and the importance of our past and roots to better understand ourselves.TW – Depression, loneliness, death of a parent